We don't have an overview translated in English. Help us expand our database by adding one.

We don't have an overview translated in English. Help us expand our database by adding one.

The context of the show is that unsuspecting and often male passers are put in comical situations by three female decoys: Annett Fleischer, Isabell Polak and Manuela Wisbeck. Female stereotypes and corresponding reactions by men are put in the foreground during the show. For example a woman fills up the cabrio of her boyfriend after she asked another driver for the right sort of fuel and fills up the inner of the car and not the tank.

The film is about the lack of human touch. The dystopia is set in a world where an unknown virus makes people unable to touch each other. Mother, father, son: we confront the problem through a Hungarian family, and search for a solution with them in this extraordinary road movie. It is no coincidence that the story takes place in winter. And it is no coincidence that it takes place by Europe's largest lake. Where the landscape is icy and cold and blue and white. And only in flashbacks do we find ourselves in the warm summer. When all seemed well.

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At a roadside inn, the wandering knight Dan and his squire Vítek meet two offended former ministers of the Forest Kingdom. They complain that the young princess Jelena, who recently took the throne, spends her time hunting with her female companions, but hates men and does not want to marry—and with a capricious woman on the throne, the country will soon come to a bad end. This intrigues the young men—they have never met Amazons before—and so they set off for the capital city.

We don't have an overview translated in English. Help us expand our database by adding one.

暂无剧情简介

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In the days leading up to her late best friend’s birthday and death anniversary, a young woman teeters between celebration and sorrow, reflecting on how early loss shaped her very understanding of the world. Through a powerful hybrid of fiction and documentary, this project contrasts romanticized portrayals of grief with the raw, evolving reality of mourning.